Notable in his style is his use of folk elements, as well as electronic musical instruments such as synthesizers and early drum machines. He is thus seen as a precursor of the French electronic music; In a decade, he created a musical style with new sounds, until his death at 36 in a diving accident.
François De Roubaix - Les Lèvres Rouges27/03/2022
Ballads for an absent ghost
Sounds from deep soul
He became a composer in 1975. He played piano, harp, keyboard and oud. Sherei arranged and wrote soundtracks and scores for movies and television series. He composed more than 150 songs for most of the leading music stars of the Arab World, including Warda, Latifa and Ali El Haggar.
23/03/2022
Nocturnal adventures madness
Throughout the 60's and 70's, Nicolai scored a number of films, working several times with directors such as Jess Franco, Tinto Brass and Alberto De Martino for their giallo and exploitation films. During this time, he also composed library music, primarily for his own labels Gemelli and Edi-Pan, but also for other labels like RCA. His big break came in 1965, when he was musical supervisor for the Sergio Leone film "For a Few Dollars More", scored by Ennio Morricone. In 1966, he reprised this role for "The Good, the Bad, and the Ugly". Nicolai's last score was for the 1988 TV series "La coscienza di Zeno", directed by Sandro Bolchi.
Bruno Nicolai - GeminusHadronic propulsion machines
His 1970 theme for "Night Gallery" was the first all-electronic main
title for a TV series, and his music for 1971 sci-fi thriller "The
Andromeda Strain" became the first all-synthesizer score for a feature
film;his music lent itself to sci-fi and horror projects, including
orchestral scores for the pilot of "The Six Million Dollar Man" and the
four-hour "Frankenstein: The True Story" (1973), which he recorded with
the London Symphony Orchestra. Melle created landmark electronic scores
for sci-fi TV movies including "A Cold Night's Death" and the four-hour
"World War III." He wrote and performed music for several telefilms
dealing with sensational murders, including "Fatal Vision," Ted Bundy
story "The Deliberate Stranger" and "The Case of the Hillside
Strangler."
His artistic abilities also led to album-cover paintings for Miles Davis, Thelonious Monk and Sonny Rollins, as well as art-gallery showings in New York. Melle and his group, the Electronauts, debuted electronic jazz at the 1967 Monterey Jazz Festival. The following year, Verve released his "Tome VI," the first all-electronic jazz album.
Gil Mellé - The Andromeda Strain