31/08/2022
Astronauts in a deadly land
Under God's wrath
Lost in a coral forest
19/08/2022
A song in defense of the dispossessed
Many of her songs carried strong social criticism and solidarity with the poor and the working class, which made her especially popular among the left-wing activists and sympathisers during the politically polarized 1970s.
She experimented with rock and roll and with synthetic and electronic sounds in her LPs, although her musical style remained firmly rooted in the folk tradition. After the 1980 Turkish Coup d'État, she was persecuted by the military rulers due to her political songs, and was imprisoned three times between 1981 and 1984. Her passport was confiscated and held by the authorities until 1987, which, among other things, prevented her from attending the first WOMAD Reading festival in 1986. Partly thanks to pressure from WOMAD, her passport was returned in 1987 and she immediately started a European tour, giving concerts in the Netherlands and the United Kingdom in the same year.
Since then, she has produced several albums and given concerts in many cities in Turkey and all over the world, and remains active in the Turkish musical scene. Bağcan currently lives in Istanbul and runs the music production company Majör Müzik Yapım.
A break for mental work
A night to collect bone scraps
Born in Warsaw, Korzyński graduated from the Fryderyk Chopin University of Music in 1964; also he was a member of the Polish Film Academy.
Andrzej Korzynski - PossessionEnjoying the song of the Amperemeter
Also collaborated with his childhood friend Ennio Morricone on a number of soundtracks for Spaghetti Westerns. Morricone's orchestration often calls for an unusual combination of instruments, voices, and whistling. Alessandroni's twangy guitar riff is central to the main theme for The Good, the Bad and the Ugly. Alessandroni can be heard as the whistler on the soundtracks for Sergio Leone's films, including A Fistful of Dollars, For a Few Dollars More, Once Upon a Time in the West, and Pervirella. He also collaborated with Morricone in scoring the 1974 film Around the World with Peynet's Lovers.
He founded the octet vocal group I Cantori Moderni in 1961. The group, which included his wife, Giulia De Mutiis, performed wordless vocals on several Italian movie soundtracks. Most notably, I Cantori Moderni are featured on the song "Mah Nà Mah Nà", written by Piero Umiliani for the 1968 Luigi Scattini mondo film Svezia, inferno e paradiso and popularized on The Muppets Show.
Alessandro has also composed film scores, including Any Gun Can Play (1967), Johnny Hamlet (1968), The Reward's Yours... The Man's Mine (1969), Lady Frankenstein (1971), The Devil's Nightmare (1971), The Mad Butcher (1971), Seven Hours of Violence (1973), Sinbad and the Caliph of Baghdad (1973), Poker in Bed (1974), White Fang and the Hunter (1975), Blood and Bullets (1976), L'adolescente (1976), La professoressa di scienze naturali (1976), The Opening of Misty Beethoven (1976), Women's Camp 119 (1977), Killer Nun (1978), L'imbranato (1979), and Trinity Goes East (1998).
Alessandro Alessandroni - IndustrialWalking along the edge of the Andes
Defying bad luck
06/08/2022
The curse of eternal night
A symphony in neural fluxes
05/08/2022
About a skin pride
Akhtar has recorded songs in a range of styles, including Pakistani film music, Pop, Ghazals, Traditional pakistani classical music, Punjabi folk songs, Qawwalis, Naat & Hamds & Others.
Nahid Akhtar was discovered by veteran musician. M. Ashraf as a teenage
sensation in the mid 70s; inaugural released film was "Nanha Farishta" in 1974 and in the same
year she climb to the top with super hit songs in film "Shama".
Her stylistic mastery and trade marked television appearances continued through the 1970s; increasingly, though, her attention was turned to the cinema. Films
became the topmost priority to Nahid while television went down to the
next level. Finally, in the mid 80s she left the film scene as a singer.
Flying with the Gods of Palenque
A path of violence
An Academy Award-winner (for The Devil and Daniel Webster, 1941, Herrmann mainly is known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed scores for many other films, including Citizen Kane, Anna and the King of Siam, The Day the Earth Stood Still, The Ghost and Mrs. Muir, Cape Fear, Fahrenheit 451, and Taxi Driver. He worked extensively in radio drama (composing for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs, including Rod Serling's The Twilight Zone and Have Gun - Will Travel.
As well as his many film scores, Herrmann wrote several concert pieces, including his Symphony in 1941; the opera Wuthering Heights; the cantata Moby Dick (1938), dedicated to Charles Ives; and For the Fallen, a tribute to the soldiers who died in battle in World War II.
Herrmann's involvement with electronic musical instruments dates back to 1951, when he used the theremin in The Day the Earth Stood Still. Robert B. Sexton has noted that this score involved the use of treble and bass theremins (played by Dr. Samuel Hoffmann and Paul Shure), electric strings, bass, prepared piano, and guitar together with various pianos and harps, electronic organs, brass, and percussion, and that Herrmann treated the theremins as a truly orchestral section.
Herrmann was a sound consultant on The Birds, which made extensive use of an electronic instrument called the mixturtrautonium, performed by Oskar Sala on the film's soundtrack. Herrmann used several electronic instruments on his score of It's Alive, as well as the Moog synthesizer for the main themes in Endless Night and Sisters.
Bernard Herrmann passed away at December 24th, 1975, the day that he finished the score for Taxi Driver.
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