Nardini was born in 1912, to an Italian father and French
mother into a family of musicians. His father, a violinist and composer,
was his main music teacher. He started his musical career early, at the
age of seven, directing a philharmonic orchestra. While still a child,
he formed the 5-piece orchestra "Les Diables Rouges" with his friend Roger Roger, which performed at local swing clubs on weekends between the 1920's and 30's.
After the Second World War, he worked conducting and composing Spanish and Mexican ethnic and folk-related music.
He formed the Nino Nardini Orchestra
in 1951. They were, among other things, featured in "La Chansons de
Paris", a weekly musical program wich took place at the Theatre des
Champs Elysees. The orchestra continued to perform dance and pop music
live at the "Circus 58", allowing Teperino to fine-tune his arrangements
in dance styles like paso doble, foxtrot and cha cha cha. He also conducted the orchestras of Radio Luxembourg, Radio Circus
and Radio Theatre in Paris as well as taking conductor duties at a
French circus, learning with it the arrangement 'trickery' and
instrumentation to back the circus' gags and jokes.
In the early 1960's, he, along with Roger Roger, started work
composing for music libraries, recording in various styles, often
featuring instruments like the harpsichord, marimba or electric organ,
and later analog synthesizers and electronic keyboards, instruments
which he also featured in his pop arrangements at the time. In the
mid-60's, he constructed Studio Ganaro
with Roger Roger and Francis Gastambide, which him and Roger used to
record and produce their compositions. Teperino and Roger both had
fruitful careers in library music, composing a large amount of works for
French and British libraries, also experimenting with electronic music
in the late 60's and early 70's onwards. Their library music has been,
and continues to be featured in numerous radio programs, animations, TV
shows and films all over the world.
26/06/2022
Distant echoes from times to come
Tea time in nun's house
03/06/2022
Songs from the ancient hills
Quick dive into the benthic cosmos
Sounds for a lonely neon nights
A farewell to intruders
Since the early 1950s Ghiglia focused his career on composing film scores, often working in the documentary genre. In 1976 he formed the stage company "Teatro-Canzone" with his wife Adriana Martino. He also composed incidental music for all the stage plays by Mario Missiroli.
23/05/2022
Meditation in the northern border of paradise
21/05/2022
Touring the clowns cemetery
The aim of the band was to demonstrate the interest of the new instruments designed by the Baschet brothers, mainly based on vibrations of cristal sculptures. The band did especially play covers of classical music themes. They did tour around the world and appear in a lot of TV shows.
Les Nouvelles Structures Sonores Lasry BaschetThe murmur of the Scottish woods
White noise in multiple channels
Flames of the deep spirit
20/05/2022
Strings over the desert
Summoning the lionesses
Swimming into past times
Enchanted forest songs
14/05/2022
Pioneers in electro dancing
13/04/2022
Deep places of devotion
Echoes of the extinct voices
12/04/2022
Into the forest of magic rabbits
In addition to being a composer, arranger and pianist, Michajlov was an actor, impersonator and singer.
Angelo Michajlov - Saxana • The Girl On A Broomstick
11/04/2022
Faster than the speed of light
Exploring the art of seduction
10/04/2022
Warming the body inside the eternal ice
Caresses from the origin of humanity
Mulatu Astatke is first and foremost a composer but also a multi-instrumentalist, playing the vibraphone, keyboards and organs. He is further credited as having established congas and bongos, instruments normally central to Latin styles, in Ethiopian music. However, as Ethiopian songs traditionally focused on vocals his greatest contribution to the music of his country was introducing a new focus on instrumentation.
Mulatu Astatke - Mulatu Steps AheadSwimming in the ballroom
The undeniable attraction of evil
Dancing with a hundred concubines
A sonata for the lonely ones
27/03/2022
Ballads for an absent ghost
Notable in his style is his use of folk elements, as well as electronic musical instruments such as synthesizers and early drum machines. He is thus seen as a precursor of the French electronic music; In a decade, he created a musical style with new sounds, until his death at 36 in a diving accident.
François De Roubaix - Les Lèvres RougesSounds from deep soul
He became a composer in 1975. He played piano, harp, keyboard and oud. Sherei arranged and wrote soundtracks and scores for movies and television series. He composed more than 150 songs for most of the leading music stars of the Arab World, including Warda, Latifa and Ali El Haggar.
23/03/2022
Nocturnal adventures madness
Throughout the 60's and 70's, Nicolai scored a number of films, working several times with directors such as Jess Franco, Tinto Brass and Alberto De Martino for their giallo and exploitation films. During this time, he also composed library music, primarily for his own labels Gemelli and Edi-Pan, but also for other labels like RCA. His big break came in 1965, when he was musical supervisor for the Sergio Leone film "For a Few Dollars More", scored by Ennio Morricone. In 1966, he reprised this role for "The Good, the Bad, and the Ugly". Nicolai's last score was for the 1988 TV series "La coscienza di Zeno", directed by Sandro Bolchi.
Bruno Nicolai - Geminus




























