03/02/2023
A lesson in seduction
02/02/2023
Memories from the land of epics
She emigrated to USA through Ellis Island in 1915 with her husband, Constantinos Papagika, a cymbalom player who was also her accompanist. In December 1918, she made her first recording in the States for Victor Records. In July 1919, she also began recording for Columbia
Records. By the mid-20s, Marika and her husband Kostas opened a café
aman called "Marika's" on W. 34th St near 8th Ave. in New York, likely
the first café aman established in the States. Over the next ten years,
she recorded more than two hundred performances of café-aman styled
songs, including kleftiko demotikο (Greek traditional songs about
Klephts, heroic brigands), rebetiko, and light classical pieces, many of
them overlapping with her chief rival in Greek music sales in the
United States, Koula Antonopoulos (known on her recordings as "Κα Κούλα" or Mme. Coula).
At her club and at recording sessions during the 1920's, Marika was
often accompanied by her husband Kostas "Gus" Papagika, cellist Markos Sifnios, violinist Athanasiou Makedonas, and the Epirot violinist Alexis Zoumbas.
Marika was a noted exponent of the Smyrnaic style of the rebetiko
tragoudi, including old songs about hashish, prison, and street-life.
Located on 8th Avenue, "Marika's" wasn't just a café aman, but a
speakeasy for Greek people as well as for other Mediterranean
immigrants. Marika Papagika recorded her first commercial song,
"Smirneiko Minore" for Victor. Along with her rival Κα Κούλα,
she introduced Greek music to the Western community. Her early
recordings have constantly appeared on compilations and been revived by
contemporary singers.
Poems for enchanted forests
Conjunction between past and future
Rhythms to live forever
Dancing under hot sun
18/12/2022
A kiss of death
Throughout the 60's and 70's, Nicolai scored a number of films, working several times with directors such as Jess Franco, Tinto Brass and Alberto De Martino for their giallo and exploitation films. During this time, he also composed library music, primarily for his own labels Gemelli and Edi-Pan, but also for other labels like RCA. His big break came in 1965, when he was musical supervisor for the Sergio Leone film "For a Few Dollars More", scored by Ennio Morricone. In 1966, he reprised this role for "The Good, the Bad, and the Ugly". Nicolai's last score was for the 1988 TV series "La coscienza di Zeno", directed by Sandro Bolchi.
Bruno Nicolai - Your Vice is a Locked Room and Only I Have the KeyA castle for souls
His work for horror and fantasy cinema is key, especially the Italian Giallo films, where he unusually combined acoustic, slide guitar with resonant, doomy synths to create a hugely popular, apocalyptic score for which he was nominated for BAFTA’s prestigious Anthony Asquith Award.
Along the way he has garnered many international awards and nominations including 2 BAFTAs and 1 Classical Brit. In the last years he toured extensively worldwide with his band, The And, performing his music live with an immersive, video backdrop.
Friction light flashes
From the 1940s, Sala dedicated himself to film scoring and refined numerous classics. In 1960, Alfred Hitchcock was unsuccessfully searching for an acoustic environment for eerie scenes in The Birds (1963) until Sala convinced him to use his Trautonium-generated sound-effects.
Dancing on milky way
His first solo record is "The Strange World of Bernard Fèvre", followed some months after by "Black Devil Disco Club 78" which had a new and pioneering electronic sound. The records met with limited success and Bernard Fèvre remained in obscurity for more than twenty years. He released at least 3 albums of electronic library music during the 70s.
In 2006, Bernard Fèvre returned to recording, writing and releasing music as Black Devil Disco Club.
Bernard Fevre - Cosmos 204317/12/2022
Diving into the maelström
A shiny bright over Siberia
Killing into athmospheric LSD
28/11/2022
Living in future times to come
Embracing the deepest roots
Making love outside the earth
Traveling through eternal suns
Uniting worlds separated by time
Surrendering life for a justice's dream
Enjoying the whispers of the desert
Travelling across shiny dots
In 2014, Rhys composed the film score for Set Fire to the Stars about Dylan Thomas and starring Celyn Jones and Elijah Wood. The jazz group he formed to record the music features drummer Chris Walmsley, double-bassist Jim Barr (Portishead), Gavin Fitzjohn on trumpet and pianist Osian Gwynedd (formerly of Big Leaves and Sybridion) on piano, with strings arranged by Gruff Ab Arwel (Y Niwl). Additional string music was recorded by the Elysian Quartet. In September 2015, Rhys won the 2015 BAFTA Cymru award for Original Music for the score.
He is considered a figurehead of the era known as Cool Cymru (Welsh: Cŵl Cymru).
Gruff Rhys - Set Fire to the Stars04/11/2022
Songs for a jilted warrior
Falling into a deep trance through the soul
This is a culturally and geographically diverse compilation of music taken from all corners of the Islamic world. There are songs on this compilation from West and North Africa, Turkey, across the Middle East, Iran, and Central Asia to Pakistan.
Sufism is the mystical (but not monastic) branch of Islam; for hundreds of years, Sufis have used music in religious ritual (Sama) for ecstatic dance to achieve a state of trance. This is really some of the first trance music in history.
Sufi Soul (Echos Du Paradis)Living within biogeochemical cycles
A walk through the inner clock
Strange drops on the abandoned body
Throughout the 60's and 70's, Nicolai scored a number of films, working several times with directors such as Jess Franco, Tinto Brass and Alberto De Martino for their giallo and exploitation films. During this time, he also composed library music, primarily for his own labels Gemelli and Edi-Pan, but also for other labels like RCA. His big break came in 1965, when he was musical supervisor for the Sergio Leone film "For a Few Dollars More", scored by Ennio Morricone. In 1966, he reprised this role for "The Good, the Bad, and the Ugly". Nicolai's last score was for the 1988 TV series "La coscienza di Zeno", directed by Sandro Bolchi.
Sunny afternoons in Siberia
Go forward until total freedom
Many of her songs carried strong social criticism and solidarity with the poor and the working class, which made her especially popular among the left-wing activists and sympathisers during the politically polarized 1970s.
She experimented with rock and roll and with synthetic and electronic sounds in her LPs, although her musical style remained firmly rooted in the folk tradition. After the 1980 Turkish Coup d'État, she was persecuted by the military rulers due to her political songs, and was imprisoned three times between 1981 and 1984. Her passport was confiscated and held by the authorities until 1987, which, among other things, prevented her from attending the first WOMAD Reading festival in 1986. Partly thanks to pressure from WOMAD, her passport was returned in 1987 and she immediately started a European tour, giving concerts in the Netherlands and the United Kingdom in the same year.
Since then, she has produced several albums and given concerts in many cities in Turkey and all over the world, and remains active in the Turkish musical scene. Bağcan currently lives in Istanbul and runs the music production company Majör Müzik Yapım.





























