He became a composer in 1975. He played piano, harp, keyboard and oud. Sherei arranged and wrote soundtracks and scores for movies and television series. He composed more than 150 songs for most of the leading music stars of the Arab World, including Warda, Latifa and Ali El Haggar.
27/03/2022
Sounds from deep soul
23/03/2022
Nocturnal adventures madness
Throughout the 60's and 70's, Nicolai scored a number of films, working several times with directors such as Jess Franco, Tinto Brass and Alberto De Martino for their giallo and exploitation films. During this time, he also composed library music, primarily for his own labels Gemelli and Edi-Pan, but also for other labels like RCA. His big break came in 1965, when he was musical supervisor for the Sergio Leone film "For a Few Dollars More", scored by Ennio Morricone. In 1966, he reprised this role for "The Good, the Bad, and the Ugly". Nicolai's last score was for the 1988 TV series "La coscienza di Zeno", directed by Sandro Bolchi.
Bruno Nicolai - GeminusHadronic propulsion machines
His 1970 theme for "Night Gallery" was the first all-electronic main
title for a TV series, and his music for 1971 sci-fi thriller "The
Andromeda Strain" became the first all-synthesizer score for a feature
film;his music lent itself to sci-fi and horror projects, including
orchestral scores for the pilot of "The Six Million Dollar Man" and the
four-hour "Frankenstein: The True Story" (1973), which he recorded with
the London Symphony Orchestra. Melle created landmark electronic scores
for sci-fi TV movies including "A Cold Night's Death" and the four-hour
"World War III." He wrote and performed music for several telefilms
dealing with sensational murders, including "Fatal Vision," Ted Bundy
story "The Deliberate Stranger" and "The Case of the Hillside
Strangler."
His artistic abilities also led to album-cover paintings for Miles Davis, Thelonious Monk and Sonny Rollins, as well as art-gallery showings in New York. Melle and his group, the Electronauts, debuted electronic jazz at the 1967 Monterey Jazz Festival. The following year, Verve released his "Tome VI," the first all-electronic jazz album.
Gil Mellé - The Andromeda StrainPolishing the floor at the Crazy Horse
Anxiety over unrequited love
15/03/2022
Intrigues in the ballroom
27/02/2022
Blending sister souls
This music invented by record industry genius Paksiri, transformed Molam groups into rock bands and saw them starting to perform with the same kind of intensity as Luk Thung artists. The mix of contemporary singing styles with traditional Molam broke a major taboo and resulted in some truly outlandish music. "Isan Lam Plearn" became a major hit as the theme tune to the film Bua Lam Pu, and before long this new forbidden cool began to infect everyone, with performers turning in their droves to the Luk Thung Isan style.
This turned out to be a precursor to the spread of Isan music across the country and the Molam boom that engulfed Thailand in the '90s -- an unprecedented period in Thailand's musical history in which Luk Thung singers were simply not able to make it in the record business unless they could perform Molam. This album represents a crucial moment in Thai musical history when the performance styles of Molam and Luk Thung were fused together for the very first time.
Angkanang Kunchai - Isan Lam Plearn
Hymns of youth
Travelling across misteries
Youthful momentum of the past
Poems for a windy day
Impressed by distant lights
21/02/2022
In a wild sea adventure
A hard's day night in 1656
Breiner has recorded over 150 albums as conductor or pianist. He is well known for his arrangements, such as Baroque versions of the Beatles and a similar adaptation of Elvis Presley, as well as arrangements of popular Christmas music. His 2004 release of all the national anthems of the world was used by the Athens Olympic Committee as the music for medal ceremonies at the Games.
Peter Breiner and His Chamber Orchestra - Beatles Go Baroque





